Music begins to play a more important role in the final 'act' of "Taken For A Ride". The funeral march is again restated in between prop gags each with it's own theme. The cartoon takes on more typical 30's characteristics as the actions begin to move to a musical beat. It's probably the weakest sequence in the film as Krazy, quite abruptly, changes mood from fearful (as in the graveyard and hide out) to playful. I guess they must have realized that an execution wasn't as hillarious as it might have originally seemed!
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Cut to the back of the get away car as our heavies, now 'button-men', expectorate some black juice to rhythms of the funeral march. The bandage makes yet another appearance. I guess he must be related to the boss. They are also wearing V-neck sweaters for some reason. Also, who's driving?
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Shift in music as Krazy (in a Felix type gag) forms a concertina from the gorillas' derby hats.
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Return to the funeral march - they really intend to kill him.
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Krazy fashions the musket barrel into a joos harp. He plays a version of a theme De Nat had previously used in a Toby the Pup cartoon: "The Museum" (1930). Toby music would reappear in many Mintz cartoons of the 30's.
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Return to the funeral march as Krazy is squished in time with the music.
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Krazy makes for the pistol. The heavies grab him but he slips out of his skin and dances on their heads playing the gun like a bagpipe. Putting a pistol in your mouth can be funny!
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The manly gorilla shows Krazy that he has a tattoo and should be feared.
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Close up as Krazy, in another Felix-type move, stretches his nose into a clarinet. He plays a shimmy while the tattoo gyrates to the music.
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End of the line ... or is it?
Part 6 (Final) Coming Soon!
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